The two brothers kill each other. The fearful Ismene refuses. Antigone buries the body herself, contending that the laws of the gods supersede the laws of the state.
Hire Writer Antigone and Creon would qualify as the tragic hero if the only requirement was not being overly good or bad. Creon shows his negative side when he refuses to bury Polyneices and when he speaks to the sentry.
His positive side is shown in his obvious affection for Antigone and Ismene. Her positive side is shown by the way the she insists on respecting his right to be buried in the religious tradition of Greece so that his soul may live on in the afterlife.
Another aspect of a tragic hero is an unwavering course of action, most likely caused by their flaw, that brings about their demise and the demise of those around them. This is the source of the conflict in the play. Had Antigone asked Creon for permission to bury Polyneices in observance of the Greek role in religious life he would have probably allowed it.
Instead, she rashly decided to take matters into her own hands, most likely because of her anger in losing the true love of her life.
This aspect also emerges later in the play, when Antigone decides to kill herself in the tomb rather than give Creon the satisfaction of the deed.
Creon does not have a persistent nature, and therefore could not be the Aristotelian tragic hero. His ineptness as a ruler is prevalent in the way he wavers on the topic of Polyneices burial. In the beginning he seems very stubborn, which some say is one of the fatal flaws that qualify him as a tragic hero, but later changes his mind.
The true tragic hero would stick to their fatal flaw, like Antigone did, until their complete demise. As far as the issue of arising pity in the audience and in other characters, it is clear that Antigone clearly wins over Creon in the arena of intensity of emotion.
All of Thebes sympathizes with Antigone, especially after she has been sentenced to death. Haemon himself tells his father And I have heard them, muttering and whispering…They say no woman has ever, so unreasonably, died so shameful a death for a generous actScene 3.
It is obvious that she had the pity of the entire city except for Creon. Creon, however, is not sympathized with at all except for the chorus, which always agrees with the last point of view presented.
Some readers may be inclined to side with him, but the entire city is opposed to him during the play disqualifying him as the tragic hero. Memorable and significant Essay Another issue that has been brought up in the debate is the necessary presence of an epiphany, or revelatory manifestation of to the tragic hero.
Creon is supposed to have received his when Tiresias delivers his prophecy, proclaiming that the Gods have decided he was wrong in what he did. But the true epiphany in this play would have been right before Antigone hung herself, when she realized what has become of her life due to her own fatal flaw.
Her impetuous personality and incestuous love drives her to disregard the will of the struggling King Creon and bury her brother. In closing, upon a close analyses of the play Antigone, the tragic hero would have to be Antigone herself, since she has all the aspects that a tragic hero must have. Having a high social position, not being overly good or bad, being persistent in their actions, arousing pity in the audience, a revelatory manifestation, and having a single flaw that brings about their own demise and the demise of others around them.
Creon does not have perseverance, arousal of pity from characters and audience, and a single flaw which brings about the demise of himself and everyone around him. Creon does possess some of the qualities that constitute a tragic hero but unfortunately does not completely fit into the role.
Antigone, however, possesses all the aspects of a tragic hero.
These are, having a high social position, not being overly good or bad, being persistent in their actions, arousing pity in the audience, a revelatory manifestation, and having a single flaw that brings about their own demise and the demise of others around them. Antigone possesses all of these traits therefore qualifying as the tragic hero.
The first qualifying aspect is that Antigone is of a high social standing in Thebes. Creon himself refers to her as a princess though she is technically no longer one. Because of her high standing she is capable of great suffering, in that she has a lot of fame and regard to lose.
Those who say Creon is the tragic hero say that Antigone is no longer in a high position in the society, therefore does not qualify on that account.
If the character had needed to be in a high political position this would be true, but they need only have a great deal to lose in their downfall. Antigone and Creon would qualify as the tragic hero if the only requirement was not being overly good or bad.
Another issue that has been brought up in the debate is the necessary presence of an epiphany, or revelatory manifestation of to the tragic hero. How to cite this page Choose cite format:- Creon and Antigone as Tragic Heroes Creon and Antigone, main characters in the Greek tragedy Antigone by Sophocles share some of the same characteristics that make up a .
Antigone is a tragedy written by Sophocles in the year BCE and is a play about the aftermath of a civil war in which the two sons of Oedipus, Eteocles and Polyneices, kill each other, where the new king and their successor, Creon, tries to punish Polyneices for his disloyalty by not burying him properly.
Antigone is a tragedy written by Sophocles in the year BCE and is a play about the aftermath of a civil war in which the two sons of Oedipus, Eteocles and Polyneices, kill each other, where.
Jul 01, · Justification of Creon in Antigone by Sophocles Antigone is a tragic play written by Sophocles in about b.c. The play is a continuation of the curse put upon the household of Oedipus Rex.
Sophocles actually wrote this play before he wrote . Lesson Summary. Both Creon and Antigone can be seen as the tragic hero in Antigone.
Creon is the tragic hero because he tries to restore order in Thebes and is a good ruler but ends up alone due to his excessive pride.
Antigone is the tragic hero because she sticks to her beliefs in the Gods and family and dies because of her loyalty to them.
Antigone defies the law, buries her brother, and is caught. When Creon locks her away in prison, she kills herself. Meanwhile, not realizing Antigone has taken her own life, the blind prophet Teiresias, Creon's son and Antigone's fiancé Haemon, and the Chorus plead with Creon to release her.